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The reason I’ve ended up listening to this stuff for hours on end is because some people are claiming none of these artists exist. I quite like the idea of their members taking a break from performing songs called things such as Chainsaw Gutsfuck in order to make gentle piano instrumentals not unlike the music from the soundtrack of Amélie. And so does an artist called Mayhem, which part of me really hopes is the legendary Norwegian black metal band, famed for their horrifying backstory of church-burning, suicide and murder. The mysteriously named Novo Talos and the Hellenic-sounding Milos Stavos both make gentle piano instrumentals not unlike the music Yann Tiersen composed for the soundtrack of Amélie. There’s something ineffably hilarious about the thudding inevitability of what comes out of my headphones. A playlist prosaically titled Piano in the Background has made me snigger.
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Now I suspect it has turned me faintly hysterical. This music long ago ceased to make me feel chilled or peaceful or any of the adjectives used in the titles of the Spotify playlists that contain it.
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I have been listening to gentle piano instrumentals not unlike the music Yann Tiersen composed for the soundtrack of Amélie all day, and I suspect I reached the limits of my tolerance for it some hours back. This, I confess, is proving something of a problem.
RAE SREMMURD THIS COULD BE US WIKI MOVIE
The track I’m playing, Far and Beyond, is a gentle piano instrumental, not unlike the music Yann Tiersen composed for the soundtrack of whimsical French movie Amélie. I t is 10pm on Tuesday, and I have just become the 1,106,079th Spotify user this month to listen to an artist called Charles Bolt.